Projection: GAN-scape
The group of paintings I call “Projections” were made by projecting artificially generated imagery (GAN) onto a still life stage and sculptures. What I love about AI images is their emptiness. Technically, there is no authorship behind them. The lack of its understanding of what a mountain is, what a cloud is, etc. is shocking to see in an image. But now, I use this imagery in place of my own creativity. In essence I have outsourced the most sacred part of my art practice to a machine. What does it mean? Is it significant? I’m not sure, but I find it interesting. The AI generators are an externalization of my own stream of thought. I then project this stream of thought onto real objects, and together they are dissonant. The skewed projected landscapes are an analogy for my warped lens of subjectivity.
Construction: Triumph
The collection of paintings called, “Constructions” appear as if I slung a bucket of hydrochloric acid onto western painting and melted out all the substance. This glistening Dairy Queen slurpy art is uncomfortably empty. I have hollowed out the genre and have left only the illusion. These paintings just are as life for an atheist just is. They exist because of chance decisions made intuitively in my open-ended artistic process, rather than strict adherence to depicting a concept.